Oil Paintings
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FABRITIUS, Carel Dutch Baroque Era Painter, 1622-1654
Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
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Painting ID:: 6627
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FABRITIUS, Carel The Goldfinch dfgh 1654
Oil on panel, 33,5 x 22,8
Mauritshuis, The Hague
Painting ID:: 6628
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FABRITIUS, Carel Self-Portrait sfgh 1654
Oil on canvas, 70,5 x 61,5 cm
National Gallery, London
Painting ID:: 6629
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FABRITIUS, Carel Self-Portrait 1202 c. 1645
Oil on panel, 65 x 49 cm
Museum Boymans-van Beuningen, Rotterdam
Painting ID:: 6630
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FABRITIUS, Carel Self-Portrait dfhm Oil on panel, 62 x 51 cm
Alte Pinakothek, Munich
Painting ID:: 6631
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FABRITIUS, Carel The Beheading of St. John the Baptist dg Oil on canvas
Rijksmuseum, Amsterdam
Painting ID:: 6632
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FABRITIUS, Carel View of the City of Delft dfg 1652
Oil on canvas, 15,4 x 31,6 cm
National Gallery, London
Painting ID:: 21791
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FABRITIUS, Carel The Goldfinch (mk08) 1654
Oil on panel.
33.5x22.8cm
The Hague,Mauritshuis
Painting ID:: 33724
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FABRITIUS, Carel The Goldfinch mk86
1654
Oil on panel
33.5x22.8cm
The Hague,Mauritshuis
Painting ID:: 74306
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FABRITIUS, Carel Hagar and the Angel Date ca. 1643-1645
Medium Oil on canvas
Dimensions 157.5 X 136 cm (62.01 X 53.54 in)
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Painting ID:: 82859
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FABRITIUS, Carel Young Girl Plucking a Duck Oil on canvas
Dimensions 84,1 x 70 cm
cyf
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FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654
Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
